Is prasar bharati its master’s voice

The Hindu (General Studies)

Is prasar bharati its master’s voice
28,Aug,2017

Is prasar bharati its master’s voice

While episodic outbursts when the public broadcaster commits some sin of omission or commission are natural, they usually peter away (diminish or fade away) after some self-righteous indignation. Such transient interest can hardly achieve anything beyond a few column centimetres, as we need to look at what heavy chains bind Prasar Bharati before calling it a poodle (a person or organization who is overly willing to obey another.).

On a leash

In 1990, V.P. Singh’s government passed a landmark Act to delink the two state monopolies, All India Radio and Doordarshan, from the government that earlier Congress regimes had used to the hilt (completely). A new autonomous corporate holding, namely Prasar Bharati, was desired, but the bureaucrats of the Information and Broadcasting Ministry ensured, through two sections, 32 and 33, that effective control remained with them. In any case, the Act was put into cold storage throughout P.V. Narasimha Rao’s tenure and it was only on the Supreme Court’s order that it was taken out in 1997, dusted and operationalised.

After bundling off the first CEO who took ‘autonomy’ too seriously within a few months, the Ministry ensured for several years that its own Additional Secretaries doubled up as CEOs of Prasar Bharati. Though some were outstanding, they were vulnerable and the Ministry clamped ‘dominion’ status through total funding control. Some 48,000 employees recruited by the Ministry in the Soviet days were unceremoniously (with a lack of courtesy; roughly or abruptly.) passed on to Prasar Bharati, weighing it down with unmanageable numbers and hardwired (determined or compelled.) sarkari mindsets. Under law, their pay has necessarily to be borne by government but it invariably makes a hue and cry about Prasar Bharati bleeding it.

When the Prasar Bharati Board (one must compliment the present and previous one) demanded justice and autonomy, they were laughed away. There were, and still are, several excellent professionals in DD and AIR, but governmental systems demoralise and punish initiative. Almost every minister has enjoyed these hegemonic (ruling or dominant in a political or social context.) powers as secretaries could never exercise these without acquiescence (the reluctant acceptance of something without protest.) or encouragement.

Colossal wastage

Some 10-12 years ago, a couple of ministers pumped money into DD for making its own serials, replacing the earlier successful model of Ramayan, Mahabharatand Buniyaad, and the result was pathetic. All they did was to enrich the private producers and damage DD’s TRPs beyond repair but, despite best efforts, that model has not been replaced even now. Over the decades, countless radio and TV stations were set up and even when it was known that less than 2% of India watches terrestrial transmission through rooftop rod antennas, not a single of the 1,400-plus towers could be shut down. These, and short wave radio transmitters, guzzle (consume) power, money and bind down a lot of manpower. So do the 45 TV studios whose 100-odd staff produce just half an hour’s programme per day. But then, who bells the cat that appoints everyone, including the board members? Section 17 transferred all assets and properties from the Ministry to Prasar Bharati, but in 20 years, the rules of transfer could not be made.

Every time the organisation hires ‘updated professionals’ from the open market to try to make old elephants run a bit like racehorses, ‘insiders’ are egged on (cause to act) to complain and inquiries instituted. Parliamentary committee recommendations enjoining autonomy and the Pitroda Committee report are all stuffed into lockers, while control is exercised daily through adroit (clever or skilful.) divide and rule at the top. Until the organisation is forcefully decoupled from its massive sloth (reluctance to work or make an effort) and totally detoxified, there is no option but to keep singing the master’s anthem.

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